Ray Zimmerman is pleased announce a book signing for his new poetry and photography chap book Healing and Conflict:
Saturday, November 24
1 PM to 3 PM
Star Line Books
1467 Market Street, Suite 106
www.starlinebooks.com
(423) 777-5629
This will be a second chance for those who missed the book launch earlier this month (photos attached).
More than half of the poems are previously published in journals, including:
The Avocet (Fountain Hills, AZ)
Number One (Gallatin, TN)
Quill and Parchment (Online)
Weatherings Anthology (FutureCycle Press, Lexington, KY)
Terrence Chouinard of The Wing and the Wheel Press contributed the perfect typography and design skills to this collection. The local Chattanooga printing company Wonder Press did an excellent job with production. The author will assume primary distribution at readings, signings and open mic events. The book is locally written and locally printed.
Fellow poets had this to say about the advance copy:
Ray Zimmerman’s collection of poems Healing and Conflict invites the reader outside: “go and watch/rain falling on parched earth. /see it come back to life.” His words, like that rain, are transformative to those who look and listen. Trees burn with ice, water cascades, booming, against mountain hardwoods. Most memorable are the birds. Warblers, hawks, barred owls, chickadees, and cranes provide this book’s unifying motif, and a delightful surprise, when the reader joins a flock of blackbirds in flight.
Marsha Mathews,
Author of Beauty Bound
“I have come to understand / that my poems are not poems…but the poetics of the earth” (“Intro Part I”). Ray Zimmerman explores nature through language and language through nature. With images and similes like “The winter snow arrived like a sonnet. / It reached the house in three waves, / capped by a couplet of ice” (“Winter Snow”), the reader becomes immersed in Zimmerman’s vivid landscape, both verbal and actual. Though he claims, “My poems are shadows on the wall” (“Intro Part II”), Zimmerman’s words intrigue the reader as she delves into the subtext of these poems, and they continue to haunt her long after the book is closed.
KB Ballentine
Almost Everything, Almost Nothing
In “Introduction, Part II, Zimmerman says “If you enjoy my poem about falling rain or about cranes in flight…go and watch rain falling on parched earth…listen to cranes trumpeting as they take to the air.” In Healing, these poems not only have a prayerful devotion to the natural world but use specific names, images and Zimmerman’s hard-won humor from handling hawks, eagles and owls. In Conflict, he reminds us of the massive plastic islands humans have left floating in the oceans, of trends of certain species’ depletions. Yet, this chapbook is a celebration of birds, amphibians, reptiles and mammals, of seasons and landscapes of planet earth, narrated with sensory details and a deeply personal voice.
--Bill Brown, The News Inside
Saturday, November 24
1 PM to 3 PM
Star Line Books
1467 Market Street, Suite 106
www.starlinebooks.com
(423) 777-5629
This will be a second chance for those who missed the book launch earlier this month (photos attached).
More than half of the poems are previously published in journals, including:
The Avocet (Fountain Hills, AZ)
Number One (Gallatin, TN)
Quill and Parchment (Online)
Weatherings Anthology (FutureCycle Press, Lexington, KY)
Terrence Chouinard of The Wing and the Wheel Press contributed the perfect typography and design skills to this collection. The local Chattanooga printing company Wonder Press did an excellent job with production. The author will assume primary distribution at readings, signings and open mic events. The book is locally written and locally printed.
Fellow poets had this to say about the advance copy:
Ray Zimmerman’s collection of poems Healing and Conflict invites the reader outside: “go and watch/rain falling on parched earth. /see it come back to life.” His words, like that rain, are transformative to those who look and listen. Trees burn with ice, water cascades, booming, against mountain hardwoods. Most memorable are the birds. Warblers, hawks, barred owls, chickadees, and cranes provide this book’s unifying motif, and a delightful surprise, when the reader joins a flock of blackbirds in flight.
Marsha Mathews,
Author of Beauty Bound
“I have come to understand / that my poems are not poems…but the poetics of the earth” (“Intro Part I”). Ray Zimmerman explores nature through language and language through nature. With images and similes like “The winter snow arrived like a sonnet. / It reached the house in three waves, / capped by a couplet of ice” (“Winter Snow”), the reader becomes immersed in Zimmerman’s vivid landscape, both verbal and actual. Though he claims, “My poems are shadows on the wall” (“Intro Part II”), Zimmerman’s words intrigue the reader as she delves into the subtext of these poems, and they continue to haunt her long after the book is closed.
KB Ballentine
Almost Everything, Almost Nothing
In “Introduction, Part II, Zimmerman says “If you enjoy my poem about falling rain or about cranes in flight…go and watch rain falling on parched earth…listen to cranes trumpeting as they take to the air.” In Healing, these poems not only have a prayerful devotion to the natural world but use specific names, images and Zimmerman’s hard-won humor from handling hawks, eagles and owls. In Conflict, he reminds us of the massive plastic islands humans have left floating in the oceans, of trends of certain species’ depletions. Yet, this chapbook is a celebration of birds, amphibians, reptiles and mammals, of seasons and landscapes of planet earth, narrated with sensory details and a deeply personal voice.
--Bill Brown, The News Inside
RSS Feed