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Can Poetry Stop Bulldozers?

4/29/2015

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“Vermin: A Notebook”

Poems can stop bulldozers.

John Kinsella

Poetry Foundation

http://www.poetryfoundation.org, and in Poetry, December, 2009

For me, poetry has no point in existing if it’s not to be a prompt or aid to political and ethical change. This is not to say that a poem should be political or ethical instruction, but rather that it might engender a dialogue between the poem itself and the reader / listener, between itself and other poems and texts and between all of these and a broader public (whatever that might be). I see myself as a poet activist – every time I write a poem, it is an act of resistance to the state, the myriad hierarchies of control, and the human urge to conquer our natural surroundings.

Though this quotation sums up Kinsella’s argument, it is not the point of departure for his essay. He begins with a description of a trip to town, “the shire,” in his native Australia. From that description he abruptly transitions to gunshots fired outside his house the previous Friday night. Fox hunters have crossed the public land of a refuge and intruded onto his private property in search of their quarry. When he attempts to intervene, a shot is fired in his direction and he summons the police, feeling his family is in danger. He bitterly observes that these sportsmen are likely staunch defenders of private property rights which they have now violated.

            Kinsella then describes a Saturday trip to the shire where again shots ring out. This time, a group is shooting corellas, a species of cockatoo that have congregated in the town’s trees and are considered a nuisance.

            Through the point and counterpoint of these descriptions he weaves his own story as one trained in the sciences, living on the land outside the town, and carefully constructing poems as a response to the world around him. His poems though, go further than describing and responding to the world around him. They are calls to action. In his words, he is …resisting through poetry the industry of pleasure and control that comes from hunting and exploitation of the environment, I am, also, I believe, writing the survival and liberty of animals (including humans).

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The Creation

4/28/2015

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New York

ISBN 978-0-393-33048-9 pbk

            Pastor, I am grateful for your attention. As a scientist who has spent a lifetime studying the creation, I have done my best here to brief you and others on subjects I hope will be more a part of out common concern. My foundation of reference has been the culture of science and some of secularism based on science, as I understand them. From that foundation I have focused on the interaction of three problems that affect everyone: the decline of the living environment, the inadequacy of scientific education, and the moral confusions caused by the exponential growth of biology. In order to solve these problems, I’ve argued, it will be necessary to find common ground on which the powerful forces of religion and science can be joined. The best place to start is the stewardship of life.

            So begins Chapter 17, the final chapter, of Edward O. Wilson’s book, The Creation. Wilson wrote the book as a letter to a Southern Baptist preacher, and has no fear of directly referring to their differences. He begins with a reference to his own early experiences in the faith, his departure from it, and their common roots as Southerners.

            Within the framework of this unique approach, Wilson describes subjects already known to his readers: the importance of nature as our home, the destruction of nature by habitat loss, invasive species and other causes, and the love of nature (Biophilia). The Creation is a book long appeal for science and religion to find common ground and protect the natural world.


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